Finding Fournier – how we met the acclaimed Quebec folk artist, Leo Fournier

Leo and Jeanette Fournier at home

Leo and Jeanette Fournier at home

Leo Fournier has always been one of our all time, favorite folk artist for his whimsy, elegance and balance. Leo’s sculptures cover a wide range of subjects from the religious to the erotic, as well as animals and everyday life scenes.  The work is composed mostly of figures and animals in various forms of shared or confrontational activities.  .

pig, by Leo Fournier

pig, by Leo Fournier

He had a keen eye for detail, a great sense of fun and a love of life.  You can recognize a Fournier from across the room, and we would purchase the work when we came across it, in picker’s barns, shows, or auction.  It was always our desire to find and meet Leo, but of course the pickers were not anxious to have us contact him directly so would not provide information, and his address was not listed in the reference books.   All we had to go on was that  he lived in the town of La Prarie (pop 23,000), on the south side of the St. Lawrence River, across from Montreal.

last supper, by Leo Fournier

last supper, by Leo Fournier

Sometimes our trips to Quebec were straight there and back affairs, but on other occasions we would take a few days to meander and explore, and it was on one such occasion in the early nineties that we found ourselves in La Prarie late in the afternoon with some time to kill before we hit one of our favored road side motels.  I pulled up to a phone booth, and said to Jeanine “let’s see if we can find Leo Fournier in the book.  Maybe we’ll get lucky.”  Our hearts sank a little when we realized there were over thirty Fourniers listed in town and only one L. Fournier.  Of course we tried this number first and it was not Leo, and furthermore they did not know of him, but we were not so easily discouraged and just started with the first listing and kept dialing.  Jeanine was getting a little tired after about a dozen dead ends, with not everyone being delighted to participate in our little search, but she persevered, and low and behold after about another six calls she spoke to someone who was a relative, and she was happy to provide his number.  “Well that was sort of easy.” I quipped. “O.K. well not that easy, and yes it was you doing all the calling”. In any case we dialed him up directly. and spoke to his wife Jeanette who said he was out momentarily but would be home soon, and he would be happy to meet us.  She gave us good directions to their house which we soon found on a quiet little street right across from a Depanneur , or variety store.

Old man fantasy by Leo Fournier

Old man fantasy by Leo Fournier

Leo met us at the door and warmly invited us in to the sunporch, where he liked to entertain visitors.  Leo was a very charismatic storyteller, and he launched right into some great stories while sit ting in his rocking chair sipping on a big can of Molson Export.  “ I like my beer but I only buy them one at a time.  That’s why I’m happy there is a depanneur right across the street” he laughed.” I noticed there were four empty cans next to his chair, but then again it was getting on in the day.  Jeanette arrived directly with some coffee for us and we spent a very pleasant hour or so listening to his stories.  He was a retired auto body man of good reputation, and was involved in the scrap business.  He told us about and showed us his first carving which was a crucifix done  in 1967 when he was 43 yrs. old.  Since that time until his death in 2007 he continued to be a prolific carver, selling to friends and the occasional picker, Nettie Sharpe among others who would come by to see what he had been up to..  He was aware that his work was included in books and exhibits, but he never felt he was really appreciated until sometime in the nineties when the Quebec government commissioned him to produce a series of about a dozen sculptures on food production.(See the butcher with hog’s head below) With this big pay cheque he chose to go to Leningrad on his own where he spent two weeks at the Hermitage studying the art there, rather than fix the roof on the house which was what the rest of the family was pushing for.  Leo was that kind of guy.  He lived his life the way he wanted to and never thought twice about convention.  We bought the six or seven pieces he had available that day and his house became a favorite stop on subsequent trips.  We always took the time to stop and listen to his stories. According to his pal Andre Laport who phoned to tell us of his death in 2007 “he lived his life just the way he wanted to right to the end, with no lingering illness, and a beer in his hand”.  Like so many others who knew him, we really miss him , and his infectious spirit.  One of the greats.

one of the works commissioned by the Quebec government

one of the works commissioned by the Quebec government

Folk art arrives at the door – The Barbara Browne Collection

BBrown5

drawing by Liz Barrett-Milner

It was a sunny, August day in 1995, and we had just finished our lunch when there came a knock on the back door.  We weren’t expecting anyone, and it was rare for anyone to visit without calling ahead.  This, because we were so often on the road that our friends knew to give us the heads up before coming by.  We opened to find a small elderly lady standing there with a big smile and a portfolio under her arm.  “Are you the folks who buy folk art?”  “Well yes, we have been known to do so.  How can we help you?” “My name is Barbara Browne, and I live down the road in Port Rowan, and I have a collection of folk art which I would like to sell.”  “Come right in and tell us about it.”

She explained that she was an artist who had collected Canadian folk art for the past twenty years, and she was about to buy a smaller house in Simcoe, and thus needed to downsize, and recoup her investment to help with the purchase.  “What is the nature of your collection?”  She reached into her portfolio and produced a twenty-page booklet of meticulously hand drawn illustrations of folk art with dimensions, which we later learned were produced for her by her niece, well-know Norfolk artist Liz Barrett-Milner.  “It’s all in here.  There are 185 pieces all told, and I am only interested in sell the whole thing.  No picking and choosing.”  There was some mind blowing stuff, including works by Nova Scotia artists Charlie Atkinson, Charlie Tanner, and Everett Lewis; as well as many Ontario artists such as Clarence Webster, Joe Lloyd, Steve Sutch, and Robert McCairns.  Most pieces were smaller in nature, but there was also a big wall-mounted cow’s head, a couple of 8’ totem poles, a full size deer, and last but not least, the best folk art hooked rug I had ever set eyes on, depicting a fat man and dated 1916.

BBrown2

head by Robert McCairns

“We won’t beat around the bush.  It’s all of interest, but of course it depends on your expectations” She then produced an itemized price list of what she felt would be current list prices.  “I understand you need to make money, so this is what I think it is worth, and I would therefore expect half”.  “In principle that sounds fair so let us go over it and get back to you.”

What followed was four or five meetings at her house where we viewed the items and discussed the prices.  It became a bit complicated as each time we arrived we she had decided that there were a few more items that she felt she needed to keep, but it came to pass that we arrived at a final list and a final price, and so a date was set to complete the deal and pick up the pieces.

On that day, she informed us that she didn’t want to be there as we removed the pieces as it would be sad for her, so she wanted to go for a walk and return when we were finished.  We weren’t at all comfortable with this, but agreed on the condition that we would line up the pieces outside by the truck, and she would review the load before we left, and that’s how we did it.

BBrown1

Barbara Browne and Cassandra by the truck

Barbara was an excellent artist in herself, and continued to be a friend and inspiration until her death several years later.  The collection sold well, and the fat man rug was featured prominently in the John Fleming/ Michael Rowan book on Canadian folk art.

fatmanrug

the fat man rug

My happy time with Mr. Joly’s whirligig

Gig on display at the church

Gig on display at the church

It was 1984 when I crossed paths with this whirligig; during the period when I was going to the picker’s barns of the Victoriaville area of Quebec every other week.  The drill was to leave home at 4 a.m., drive the ten hours, buy a truckload of furniture as quickly as possible, and get on home.  It was in late November, and I remember the trip well because the temperature dropped quickly, and the Drummondville bridge froze up before the roadway.  When I hit the bridge,  I did a perfect 360 pirouette the entire length, coming back on course and continuing as though nothing had happened; frazzled but undeterred.  Soon, the snow had come on so strong that for moments which seemed like eternity, I became completely lost, with no sense of direction within a big white cloud. All you can do when this happens is to slow down and listen for when the tires hit the gravel, thinking the whole time that a transport will come out of nowhere and drive right through you. Nasty. This was followed by long periods of the dreaded “hypno” snow, which is when the big fluffy flakes swirl over and over in spiral patterns until you think you’re going to loose it.  Tough sledding.

An hour later, when I finally arrived at Paul Prince’s place near Defoy it was dark and snowing hard, but I was just so damn happy to be alive.  The lights were on but Paul had gone home.  I was about to leave when a picker I knew named Jimmy pulled in behind me. A great guy, and a legendary  picker, he had been at it since he was a teenager.  On this night he was on his way home from picking around Montreal, and he was really excited by something “special” he wanted to show me. Jimmy was never a guy to suppress his enthusiasm.  Under the yard light, there in the back of his truck I could just make out  this funky metal rocking boat gig in vivid paint. All 4 feet in length of it. I got excited too. When he showed me how the window cranking mechanism from an old Ford  provided the gears for the rocking up and down of the boat, and the turning of the steering wheel I was a goner.

I had to think hard and fast because it was a lot of money, but a really cool thing; and I knew if I didn’t go for it, Paul, or the next guy would.  “O.K. Jimmy here you go, but put it on my back seat so it doesn’t get smashed by the furniture”. “I’m doing you a favour by selling you this.  You’re gonna make good money”.  “Ya right, if I wait 25 years”.  At this point Jimmy punched me in the arm and laughed, and the transaction was complete. I was delighted, but I had that slightly sick feeling I get when I stretch beyond my comfort range to acquire something special.  I loved it, but I could have bought 4 or 5 cupboards for the same money, and at that point cupboards were selling well, at a good profit. Oh,what the hey. You’ve got to trust your instincts, and great things don’t come along every day.

The next day was snowy and cold, and I filled the truck quickly, thinking all day of the money spent, and wondering whether Jeanine would share my enthusiasm.  I arrived home about 2 in the morning, so I left everything in the truck and went straight to bed. The next morning, over coffee, Jeanine asked me about the trip. I replied,  “Oh good overall, but  pretty intense”. I told her about the bridge incident, etc. and then casually mentioned that I bought something special that I hoped she would lke. I find it better to give confession right away, as delaying only adds to the suffering.  “Well, go get it, and let’s see what you’ve done”. The moment of truth had arrived.  Happily she loved it too, and we decided there and then to keep it for a good long time so we could appreciate it everyday.  “Too bad we don’t know who made it”.

Fast forward to the next summer and we are enjoying a weekend in Quebec, our favourite North American city.  We had heard of a bookstore where it was possible to buy a rare book, Les Patenteux du Quebec,  which we knew to be the “bible” of Quebec folk art, .

page 19 of "les Patenteux du Quebec"

page 19 of “les Patenteux du Quebec”

Published in 1978, it is the work of three young Quebec women who spent  a summer or so traveling all over Quebec documenting, and recording the stories of every Quebec folk artist they could trace.  We found the shop and bought the book, and when we cracked it open, it opened to page 19, and behold there was our whirligig. With a picture of it in it’s original location, and statement by the artist.  Extraordinary.   jolygig1

page18

We placed the piece on a low cupboard in front of the low wall which separated our kitchen from dining area, and there it sat for the next twenty years or so.  We never offered it for sale but we had various offers over the years.  The best was when a friend  was returning to live in Italy, and he offered us his recent model Jeep in exchange. We thought about that one quite seriously, but refused figuring that the Jeep would rust out and be finished in a few years, where as the gig would just keep on going.

When we moved from the church to our current residence in  Port Dover in 2003,  we found it difficult to find the right place to display it. We considered mounting it high on a shelf above our front bay window, but that posed a risk of falling and crowning someone.  It moved from place to place being a bit in the way, and ended up sitting on a ledge behind the couch, which is when we more or less forgot about it. I still noticed it, but it no longer “engaged” me, if you catch my drift. Jeanine felt the same. So it came to pass that last year in a mood of downsizing we decided that although we had really enjoyed owning the piece, it was time to pass it along.  My friend, and serious collector Dr. Martin Osler had always coveted it,  and had asked for first refusal, so I gave him a call. Because we can both be convoluted at times, and because there was no particular hurry,  it took just about a full year to complete the transaction, but it now sits proudly on a high cupboard in the back of Marty’s office.  A striking location in an important collection, and I am happy because I can visit it occasionally. Here is a photo of Marty, and his friend, contemporary artist  Alex Cameron admiring the gig in it’s new home.

Marty and Alex enjoying his newest acquisition.

Marty and Alex enjoying his newest acquisition.

For me, after thirty years as a full time dealer I consider that I truly don’t own, or need to own anything.  My job is to find it, to recognize it, and then to be a good custodian until I have found it a decent home, where it will be loved and preserved.  It’s kind of liberating, actually.